O o — the Sütterlin letter O
O is the 15th letter of the German alphabet, representing a back rounded vowel, pronounced as close-mid /oː/ in words like 'Sohn' and open-mid /ɔ/ in words like 'Ort'. In Sütterlinschrift, it was redesigned in 1911 by Ludwig Sütterlin with upright, geometric proportions for German schoolchildren.
Nothing to confuse it with.
- Printed
- O o
- Name
- O (o)
- Transliteration
- o
- IPA
- /oː/, /ɔ/
- Position
- 15 of 26
History
The letter O is the 15th letter of the German alphabet. Phonetically, it represents a back rounded vowel, pronounced as close-mid /oː/ in words like 'Sohn' and open-mid /ɔ/ in words like 'Ort'. In 1911, the graphic artist and typographer Ludwig Sütterlin was commissioned by the Prussian Ministry of Culture to develop a modernized handwriting script for primary education, creating what became known as Sütterlinschrift.
Sütterlin lowercase o is a neat, upright circle occupying the middle zone with a small exit hook at the top right. Capital O is a large, upright circle drawn with a smooth monoline stroke. Unlike historical Kurrent, which slanted sharply and featured narrow pointed angles (Spitzschrift), Sütterlin mandated an upright posture (Steilschrift) and round curves. It was designed specifically to be written with a monoline steel round nib (Kugelspitzfeder), avoiding difficult variations between thick downstrokes and hair-thin upstrokes.
The letter o appears in essential genealogical records in words such as 'Ort' (place), 'Oheim' (uncle), 'Ost' (east), and baptismal terms. When modified with an umlaut (ö), older manuscripts often write a tiny superscript e above the o. Sütterlin was introduced into Prussian schools in 1915 and spread throughout Germany in the 1920s and 1930s. Because it was taught exclusively from 1915 until the 1941 Bormann decree abolished all German scripts, documents written in Sütterlin can reliably be dated to a narrow historical window between the First World War and the mid-twentieth century.
For family historians and genealogists examining early twentieth-century German letters, diaries, postcards, and school exercise books, identifying the regular, upright letterforms of Sütterlin O provides an immediate benchmark for dating and transcribing the text.
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